This solo exhibition showcases 12 large-scale paintings that are physical representations of carefully curated QQL outputs. Created using a combination of traditional painting techniques and robotic tools, including a plotter adapted with mechanical customizations, these works reflect enactments of both chaos and order, foregrounding the vast possibilities of systematic approaches to art making. As part of a process that unites programmed digital equipment with the human touch, Hobbs feeds code through the plotter to forge the compositions and then refines details by hand directly on the panels. The resulting works feature a wide spectrum of visual effects, forms, and moods, from minimal to maximal and contemplative to exuberant.

While these paintings are derived from the QQL algorithm, they are also unique artworks in their own right, bearing aesthetic traces of both the machine and the artist’s paint strokes.

As part of a process that unites programmed digital equipment with the human touch, Hobbs feeds code through the plotter to forge the compositions and then refines details by hand directly on the panels. The resulting works feature a wide spectrum of visual effects, forms, and moods, from minimal to maximal and contemplative to exuberant.
While these paintings are derived from the QQL algorithm, they are also unique artworks in their own right, bearing aesthetic traces of both the machine and the artist’s paint strokes.