Incomplete Control

ByTyler Hobbs
Published2021.12.1
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Incomplete Control is a series of 100 unique iterations produced from a single algorithm. The works were created as NFTs via the Art Blocks platform, and were minted during a live, four-day event at the Bright Moments Gallery in New York City.

Incomplete Control deals heavily with “imperfection”. I have always been interested in the presence of imperfection in the analog world, and the relative absence of it in the digital world. The forces of chaos and entropy give the natural world a certain warmth. There are patterns and lessons there that we can beneficially introduce into the digital world. One prerequisite is that the creator must, at least partially, give up control. Incomplete Control is a test of my ability to do this - to allow the output to define an entire space of potential existence rather than limited specifics.

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Incomplete Control #70

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Incomplete Control #43

On Analog Marks

Why does human, analog mark-making feel so different from our typical digital aesthetics? Does it have to be that way? What are we losing, and what are we gaining in this transition to a digital world? I pondered these questions while creating Incomplete Control. With digital tooling, it is possible to work with zero “error”, everything can be as precise, and straight, and smooth, and sharp as you’d like. In fact, modern computers and software are intensely optimized for exactly this behavior. Given that, it’s no surprise that nearly all digital constructions have the same properties.

Does that type of strictness have to be so all-encompassing?

It feels funny to me, having to work hard to make algorithmic artwork that is not “perfect”. The analog world gives you flaws for free, and there is very little room to escape them.

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Detail from Incomplete Control #28

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Detail from Incomplete Control #69

Interestingly, with careful observation and thought, you will find that most analog “flaws” also follow patterns, rules, and probabilities. They are simply the overlap of one pattern on another. An artifact of the creation process, an artifact of the surrounding environment, an artifact of biological processes. Every analog surface tells multiple stories about the forces that created it and the world that it exists in. This adds incredible depth, gravity, and richness to every object. If you choose, you can spend endless hours observing and appreciating it. I hope that we can push digital creations to a similar level. Incomplete Control is one step for me in that direction.

On Traits

Incomplete Control has no “traits”, in the sense of metadata labeling the defining characteristics of a particular output. I chose this for two reasons.

First, it felt overly reductive. Each output is interesting for reasons that are much more complex than what a set of textual traits could convey. The emergent qualities of balance, harmony, tranquility, and rhythm deserve contemplation. To categorize the works is to limit the scope of potential enjoyment and understanding.

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Incomplete Control #90

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Incomplete Control #48

Second, the outputs do not fall into distinct categories. I created Incomplete Control to explore an entire, continuous space. Decisions that are made within the program are made along a spectrum. There is no unbridgeable gap that separates one output from another. The entire output set is unified.

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Detail from Incomplete Control #43

Additional Resources

Explore: Browse the collection on Art Blocks

Collect: See what's available on OpenSea

Prints: Holders of Incomplete Control NFTs can order official prints from the studio